Iriminage - Yokomenuchi Ki no Nagare (2) - Standing
| Aspect | Description |
|---|---|
| Japanese | 入身投げ 横面打ち気の流れ(2)立ち技 |
| Translation | Entering-body throw from side strike, flowing form (method 2), standing |
| Classification | Nage-waza (Throwing techniques) > Iriminage series > Yokomenuchi Ki no Nagare variations |
Overview
Yokomenuchi Iriminage Ki no Nagare (2) is the second flowing variation from yokomenuchi. This method uses a different body movement - turning to right hanmi and wrapping the striking hand down, then grabbing the wrist before entering behind. It shares body mechanics with yokomenuchi shihonage and kotegaeshi nagare.
Step-by-Step Instructions
Source: Takemusu Aikido Volume 2, Pages 168-169
[1] [2] [3] [4] Turn and Wrap Down
- When your partner executes a yokomenuchi strike with her right hand
- Step to the right with your right foot while bringing your left foot to the rear thus assuming right hanmi
- Strike her right hand down in a "wrapping" movement
Key actions:
- Step right
- Assume right hanmi (turn body)
- Wrap hand down in circular motion
[5] Grab Wrist and Enter
- Grab your partner's right wrist with your right hand from below
- Simultaneously step through to the rear of your partner in a large motion while grabbing her collar from behind with your left hand
- Pull her into your chest
Simultaneous actions:
- Grab wrist
- Step behind
- Grab collar
- Pull to chest
[6] [7] Step Through and Throw
- Step through with your right foot
- Throw your partner as though pushing her neck down with your inside right elbow
- Put power into your fingertips and turn your arm inward
Kuden (口伝) - Oral Teachings
Wrapping Movement
From Volume 2 (Page 168):
"Strike her right hand down in a 'wrapping' movement."
The Japanese term is maki-komu (巻き込む):
- 巻き (maki) = wrap/wind/roll
- 込む (komu) = into/inside
- "Wrap down/envelop"
This means:
- Not linear downward strike
- Circular wrapping motion
- Like wrapping/rolling opponent's hand down
- Spiral energy
Same Body Movement as Related Techniques
From Volume 2 (Page 168):
"The body movement is the same as the yokomenuchi shihonage and yokomenuchi kotegaeshi nagare techniques."
This is explicit cross-reference:
- Same tai-sabaki (body movement)
- As yokomenuchi shihonage flowing version
- As yokomenuchi kotegaeshi flowing version
- Unified body mechanics across techniques
This shows:
- Techniques share fundamental movements
- Learn one, understand others
- Economy of training
- Underlying unity
Riai (理合) - Sword Connection
Wrapping Like Sword Deflection
The wrapping/rolling motion mirrors: (wrapping downward cut)
- Circular sword deflection
- Not meeting force directly
- Rolling with and around opponent's force
Right Hanmi Position
Assuming right hanmi:
- Standard sword stance
- Strong structural position
- Can generate power
- Ready to move any direction
Shared with Shihonage and Kotegaeshi
Since this shares body movement with:
- Yokomenuchi shihonage
- Yokomenuchi kotegaeshi
It shares their sword connections:
- All based on yokomenuchi sword deflection
- Same fundamental principles
- Different conclusions
Technical Details
The Initial Turn
Photo ❶❷❸❹:
- Partner strikes yokomenuchi
- You step right with right foot
- Left foot comes to rear
- Body turns to right hanmi
Right hanmi position:
- Right foot/side forward
- Stable stance
- Facing different direction than before
- Ready to move
The Wrapping Motion
Photo ❸❹:
- Right hand strikes/wraps partner's striking hand
- Downward and circular
- "Wrapping movement"
- Not linear, not straight down
Maki-komu quality:
- Spiral/circular
- Enveloping
- Following their energy
- Rolling it down
Grabbing Wrist from Below
Photo ❺:
- Right hand grabs partner's right wrist
- From below (shita kara)
- Natural position after wrapping motion
- Secure grip
Simultaneous Entry and Collar Grab
Photo ❺:
- Large step to rear with left foot
- Left hand grabs collar from behind
- Pull to chest
- All happening together
Coordination:
- Step, grab wrist, grab collar = one motion
- Flowing integration
- Not sequential
The Throw
Photo ❻❼:
- Right foot steps through
- Standard iriminage throw
- Inner elbow to neck
- Power through fingertips
- Turn arm inward
Common Mistakes
1. Linear Instead of Wrapping
- Error: Straight downward strike on hand
- Correction: Circular "wrapping movement"
- Quality: Maki-komu - spiral, rolling
2. Not Assuming Right Hanmi
- Error: Staying in original stance
- Correction: Turn to right hanmi (right side forward)
- Body: Complete stance change
3. Grabbing Wrist from Above
- Error: Reaching over to grab wrist
- Correction: From below (shita kara)
- Natural: Follows from wrapping motion
4. Sequential Actions
- Error: Grab wrist, pause, then enter and grab collar
- Correction: All simultaneous
- Teaching: "Simultaneously step through...while grabbing"
5. Small Entry
- Error: Short step that doesn't reach rear
- Correction: "Large motion" to rear
- Position: Must reach dead angle
6. Not Pulling Collar to Chest
- Error: Holding away from body
- Correction: Pull into chest
- Universal: All iriminage require this
Relationship to Other Techniques
Shared Body Movement
From Volume 2 (Page 168):
"The body movement is the same as the yokomenuchi shihonage and yokomenuchi kotegaeshi nagare techniques."
This creates training efficiency:
- Master one body movement
- Apply to multiple techniques
- Different hand actions, same footwork
- Unified system
Learn together:
- Yokomenuchi Shihonage (flowing)
- Yokomenuchi Kotegaeshi Nagare
- This technique (Iriminage)
All share tai-sabaki.
Versus Method 1
Method 1: Iriminage - Yokomenuchi Ki no Nagare (1)
- Steps to rear with left foot
- Leads attack
- Simpler, more direct
Method 2 (This technique):
- Steps right, assumes right hanmi
- Wraps hand down
- Grabs wrist
- More complex
- Shares movement with other techniques
Both valid flowing methods.
Training Progression
Prerequisites
- Yokomenuchi shihonage proficiency
- Yokomenuchi kotegaeshi nagare understanding
- Solid yokomenuchi iriminage kihon
- Understanding of wrapping motions
Kotai (固体 - Solid Practice)
- Partner strikes deliberately
- Practice wrapping motion
- Build right hanmi positioning
- Coordinate multiple simultaneous actions
Jutai (柔体 - Soft Practice)
- Partner varies energy
- Smooth wrapping and entry
- Increase speed
- Maintain structure
Ryutai (流体 - Flowing Practice)
- All elements integrate naturally
- Body movement same across technique families
- Choose appropriate response intuitively
Related Techniques
Same Body Movement Family
- Yokomenuchi Shihonage (flowing version)
- Yokomenuchi Kotegaeshi Nagare
- This technique
- All share tai-sabaki
Other Yokomenuchi Iriminage
- Iriminage - Yokomenuchi Kihon - Basic
- Iriminage - Yokomenuchi Ki no Nagare (1) - First flowing method
Sources
Primary Sources
- Takemusu Aikido Volume 2 (Pages 168-169): Complete step-by-step with explicit reference to shared body movement
Notes
Maki-Komu Wrapping
The wrapping motion (maki-komu) appears throughout aikido:
- Various kotegaeshi
- Kaiten movements
- Some kokyu-nage
- Circular deflections
It represents:
- Spiral energy
- Not meeting force directly
- Rolling with opponent's power
- Sophisticated principle
Economy of Training
The fact that this shares body movement with:
- Shihonage
- Kotegaeshi
Shows efficiency:
- Learn one footwork pattern
- Apply to three different throws
- Master the body movement once
- Variations are in hand actions
This is characteristic of systematic training.
Right Hanmi Significance
Changing to right hanmi from yokomenuchi:
- Creates different angle
- Opens new possibilities
- Strong structural position
- Can move multiple directions from there
This stance change is key to the technique family.
Why Two Ki no Nagare Methods?
Two yokomenuchi iriminage ki no nagare methods provide:
- Method 1: Simpler, more direct
- Method 2: Integrated with broader technique family
Together:
- Cover different situations
- Different entry angles
- Different energy flows
- Complete understanding
Integration Across Techniques
This technique beautifully demonstrates:
- Techniques aren't isolated
- Share fundamental movements
- Hand actions differentiate
- But body mechanics unified
This is aikido's systematic nature:
- Limited number of basic movements
- Infinite variations
- Economy and efficiency
- Unified art
Training Multiple Techniques Together
When Saito Sensei says body movement is "the same as":
- He's telling you to practice them together
- Learn the shared movement deeply
- Understand the connection
- This accelerates learning
Rather than learning each technique separately:
- Group by shared movement
- Master the common elements
- Variations become easier
Wrapping vs. Blocking
The wrapping motion is not:
- A block
- A forceful strike
- Opposition
It is:
- A circular deflection
- Following their energy
- Rolling it in new direction
- Soft but effective
This is fundamental aikido principle made physical.
From Below Connection
Grabbing wrist "from below":
- Natural after wrapping down
- Structurally sound
- Sets up entry angle
- Not random detail
Every detail in Saito's teaching has purpose and reason.